ORCID ID
Guest-Editor
2021 Guest-editor for the issue #69 of the bulletin at the Women’s Art Register. on notions of the commons and art.
Catalogue Essay
2025
“The Presence of Absence in Horsepower Economies with Tina Stefanou as a ‘Trojan’ artist”, catalogue essay for the online publication Tina Stefanou: You Can’t See Speed curated by Elyse Goldfinch at ACCA.
2024 “Everlasting Fitness”, catalogue essay for Alexandra Peters’ work in the exhibition Future Remains, curated by Shelley McSpedden, Australian Centre for Contemporary Art. ( the MacFarlane Commissions 2024 catalogue)
2024 “Stamping, Smuggling”, catalogue essay for Hannan Jones’ exhibition Foresight & Fiction at Goolagutup Heathcote, (Boorloo/Perth) Western Australia
2021
“In the polarised enchantment of borders and images”, Catalogue essay for The
image is not nothing (Concrete Archives) curated by Lisa Radford and Yhonnie
Scarce at Ace Open, Kaurna Yarta, Adelaide, South Australia.
https://www.ace.gallery/whats-on/exhibitions/the-image-is-not-nothing-concrete-archives
Book
2025 Azza Zein Tashabok, Exhibition Monograph with texts by Dr. Miriam La Rosa and the ARRC collective, Dr. Andrew Goodman, and Sherine Al Shallah, edited by Dr. Miriam La Rosa, designed by Sahra Martin, supported by the City of Greater Dandenong Council. Available at Walker Street Gallery, Dandenong. ISBN 978-1-7638889-0-6
2012 Conjugated Thoughts Between The I And The We, Drawing and Writing in Arabic, Book, Dar Al Mada Publishing, Beirut. ISBN 9782843061387
Journal Articles
2025 Co-authored article, Palestine Reading Group. 2025. “A University For Gaza.” Art and Australia 60, no.1 https://artandaustralia.com/60_1/m295/a-university-for-gaza
2019 “Coinage”. Art + Australia. 2019. Issue Six (56.1): Outside, issue edited by Dr. Edward
Colless pp.127-133. https://artandaustralia.com/
2019 “Rematerialization, Art, and Affective Economies”. Kohl: A Journal for Body and
Gender Research Vol. 5 No. 2, 2019. https://kohljournal.press/rematerialization
Book Chapters
2022 “The Migrant Material”, chapter in Care Ethics and Art anthology, book edited by Dr.
Jacqueline Millner and Gretchen Coombs, Routledge. https://www.routledge.com/Care-Ethics-and-Art/Millner-Coombs/p/book/9780367765651
2017
“Towards a paradigm shift”, in Trans Acciones Utopicas Section, in the
book Economias Subversivas by NUVEM, Brazil, translated by CRA staff from English.
http://www.centroruraldearte.org.ar/site.new/wp-content/uploads/2017/10/LivroES-WEB.pdf
Review Articles and Other Writings
2022 “The measure of invisible work”, Green Agenda, The ends of work, edited by Carlos
Morreo. https://greenagenda.org.au/2022/10/invisible-work/
2022 “W.A.R., Multiple processes to unpack the contemporary value of a grassroots feminist archive” ARI REMIX,The EXTRA Zine Project feat, https://remix.org.au/representing-2022-multiple-processes-to-unpack-the-contemporary-value-of-a-grassroots-feminist-archive-azza-zein-on-behalf-of-the-womens-art-register-naarm-melbourne/
2021 “Dmploying studio practices,” a review of Nina Sanadze’s living room Series, in
W.A.R. Bulletin on invisible labour, #68, guest edited by Claudia Phares.
2020 “Tongue in crisis”, a review of Youjia Lu’s Super(im)position, Enduring (non-place),
un Extended. https://unprojects.org.au/article/tongue-in-crisis/
2020 “There will be extra-time”, text accompanying Sarah Rudledge’s Kicking the Bucket,
Blindside, Melbourne https://blindside.org.au/publication/there-will-be-extra-time
2020
Commissioned writings and artworks Kings Artist-Run, Live Update from the Field,
curated by
Katie Ryan and Jeremy Eaton, Melbourne. https://www.kingsartistrun.org.au/live-from-the-field-part-2/